After a violent encounter with Metallo’s red kryptonite cocktail, Superman is left with a life-threatening morphing condition. Happily, Negative Man of the Doom Patrol is able to use his alien energy to dampen down the Man of Steel long enough for a specialist to step in.
Dr Niles Caulder, creator of the Patrol, doesn’t find curing Supeman as simple as he had expected, but with more physical help from Negative Man and an emotional boost from Batman, the hero comes through.
Later, with Superman up and about, Caulder starts to explain who may be behind a spate of coordinated supervillain attacks on heroes including Superman, Batman and Robin.
And the bad guy?
The heroes resolve to tackle the threat on two fronts: while Superman and Batman travel to Philadelphia, where – according to Nile’s Caulder’s superhero spycams – warped wizard Felix Faust is attacking Billy Batson, the other half of Captain Marvel…
… Supergirl, called in by cousin Kal, will take Robin on a fact-finding mission to long-ago China.
Now this is interesting – romantic tension between Dick and Kara in this story set sometime in the past of the DC Universe. Writer Mark Waid likely never intends to show us the implied date between Supergirl and Robin; he doesn’t need to, this scene stands up nicely on its own. We get it.
After the recent terrible treatment Supergirl has received across the DC line, it’s wonderful to see her presented as a normal teenager. We also see her as a fantastically competent heroine.
Time travel! Is this the first time we’ve seen the modern incarnation of Supergirl speed into the past under her own steam? I love it, this is just what members of the Super Family should be doing.
And that’s Superman only hours after life-saving surgery. Waid is woolly about when this story is set, and it doesn’t matter, I’m just enjoying the Bronze Age sensibility… big, bold heroes stopping dastardly villains from running rampant. The creative use of Superman and Supergirl’s powers is a big bonus in this age when flight, strength and heat vision are generally the only things on the Kryptonian menu.
The business with the Chinese demon gets things moving, but this comic is all about the interaction between the characters – Robin and Elasti-Girl, Supergirl and Robin, Batman and Caulder, Superman and Felix Faust… after being away for so long it’s obvious Waid is having a ball playing in the DCU.
And what a partner he has to play with in artist Dan Mora. The imaginative page layouts and internal compositions help the story whiz along. The heroes look terrific, especially Robin and Supergirl. Details such as Batman’s messy-looking utility belt, the Bat-rope peeping out from under Robin’s cape and the paintings in Doom Mansion add to the fun. The Devil Nezha looks like a horror you don’t mess with, and I love how Mora uses a different style to illustrate his Chinese legend.
And yes, Mora gives us a fabulous Doom Patrol. Despite their prominence on his splendid cover, their part in this issue ends when Superman and Batman dole out the quests, but hopefully we’ll see them out in the field before this story is over.
Then again, I suspect Waid has still more DC heroes he wants to give cameos too. Either way it’s win win for this lifelong DC fan.
While I’m giving out compliments, Tamra Bonvillain and Aditya Bidikar deserve praise for their sterling work on colours and letters. Bonvillain always lights for location, and the hues are especially lovely when we’re with Dick and Kara up, up in the sky, and then in ancient China. Bidikar shrinks the text to indicate whispering and goes square for Robotman’s dialogue, avoiding full-on cliched computer-font.
Basically, the entire creative team – and let’s not forget the contributions of editors Dave Wielgosz and Paul Kaminski – is doing a bang-up job. I hope this series is getting the sales it deserves, because I want to see many more stories of this calibre. Let’s spread the word.
8 thoughts on “Batman/Superman: World’s Finest #2 review”
I would LOVE to see that date between Dick and Kara! 🙂 Also, so nice to see them as peers, considering that post-post Crisis had her younger than him while pre-Crisis had her older (I think).
I think that’s correct! Pre-Crisis, I think Kara arrived on Earth aged 15 whereas Dick had about another five of our years to go as a Boy Wonder
Wonderful, wonderful, wonderful series!!! These first two issues have gotten really good reviews, so hopefully that will contribute to strong sales. I do worry a bit, though. Waid is such a great, reliable writer, particularly when it comes to DC. But then I think of a series at Marvel — “The Marvels” by Kurt Busiek — which has been chugging along for about a year after being delayed by the pandemic and, frankly, you don’t hear much about it. Google for reviews of latest issues, for example. Pairing Busiek with a book that allows him to write about pretty much anything he wants to in the Marvel U seems like it would have been a sales dream come true 20 to 25 years ago. Similarly, Waid on World’s Finest is pairing real and fictional comic book royalty, but is it a couple decades too late? I just have this, “Things are quiet, too quiet…” vibe about it, if that makes any sense? Like this is the book YOU and I want, but does it excite enough other readers in this modern marketplace? Or is it lost amidst all the EVENTS and CRISES and swamped by all of DC’s other Batman-related output?
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I know what you mean, and I have the same worries. Heck, I thought The Marvels sounded interesting and have still never read an issue. To Marvel Unlimited. I suppose we have this series for at least six months, and hopefully having ‘Batman’ in the title will add longevity.
This is a beautiful,0 well-written and amusing book.
DC gave Waid all 32-pages last month, for $3.99 – an incredible bargain. And even this month, they devoted 2 extra pages for the credits page, and while there was nothing interesting on them to look at, they didn’t subtract from the full 22 pages for the story. The only other writer that DC has allowed to have extra pages in recent memory is Bendis, who still will usually get at least 1 extra page for credits, but at one point early in his DC period was getting up to 24 pages in a number of books.
Mora’s Supergirl looks like she has the hair style Evely gave her, and I wonder if she has had that style previously. It’s a different, more mature look. I’m no stylist but it strikes me as a look from the 1940s or 1950s.
I agree Evely was giving her a retro hairdo, I enjoy Supergirl having different looks. Well, apart from that horrendous Future State Old Maid outfit.
Oh, what a blast this was. More, please, and forever.
Loved the Supergirl/Robin banter. And it clarified something for me that might be at the heart of why so many people have trouble writing the “help, hope, and compassion for all” Supergirl. It’s a philosophy that I think writers (and editorial and marketers) see as a detriment, because it seemingly doesn’t allow for a lot of friction between Supergirl and other characters… and friction creates story. And yet Waid & Mora create GREAT friction between Robin and Supergirl, without ever making either one seem like they’re at fault, or diminishing them as heroes. That page is a masterclass.
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I think you’ve hit the nail on the head, Rob. When did people begin to equate ‘good’ with ‘boring’? It’s such a wrongheaded idea.