Infinite Frontier #1 review

Gotham in the daytime is really rather beautiful. Who knew?

It’s especially appealing when, look, up in the sky, we have original Green Lantern Alan Scott slamming time-twisting upstart Extant with an old-worlde steam engine.

And he’s not alone – Alan’s accompanied by fellow heroes Mr Terrific and Hawkgirl, and from the darker side of the DC Universe, Vandal Savage, Talia al-Ghul and Lex Luthor. They came together after the most recent crisis in time and space to monitor the multiverse in the hope of averting any more reality rewriting. Because there’s been a lot – Crisis on Infinite Earths, Zero Hour and Flashpoint to name but a few. Previously, most people on Earth didn’t realise life had been different to the way it is now, but post-Dark Metal, the whole world has been told. Some people are intrigued, others are disturbed, the rest are trying denial.

Just imagine not being able to trust your memories, to not know if the life you’ve built could just vanish tomorrow. If you could vanish tomorrow.

Alan Scott and son Todd Rice are both back in the world after a period in limbo. GL’s daughter Jade, aka Jennie-Lynn Hayden, suffered the same fate, and here she’s once again not around, after a scheduled get-together with Alan and Todd goes… somewhat awry.

Elsewhere – oh so very much elsewhere – Silver Age Flash Barry Allen is exploring.

And spymaster Mr Bones is making former Department of Extranormal Operations agent Cameron Chase an offer she’d very much like to refuse.

While a refugee from the vanished Flashpoint reality, Thomas (Batman) Wayne, has been rocketed to Earth 0 and a meeting with the Multiverse’s mightiest.

This summer mini-series declare its ambition with its opening caption, ‘Worlds will live’, part of the slogan that went with DC’s best-known blockbuster.

Well, as the Barry page indicates, there are currently a lot of worlds hovering in the DC Multiverse – including a rather authentic-looking Earth 2 – and I’d be disappointed were they to vanish in the course of this series. Because writer Josh Williamson demonstrates how much fun the concept of parallel worlds can be. The Crisis callbacks include the return of a pumped-up Psycho-Pirate who, I suddenly notice, has the same surname – Hayden – as the missing Jade? Given both were originally Earth 2 characters, surely Roy Thomas, the king of convoluted connected continuities, linked them at some point? If not, you’re welcome, Josh Williamson.

One thing I like from the off is that, as with the famous weekly series 52, this book isn’t depending on Superman, Batman and Wonder Woman to shift copies. Sure, we have President Superman and Flashpoint Batman, but they’re a very different World’s Finest pairing. Which isn’t to say I’m thrilled to see Thomas Wayne – he’s been popping up for a decade now and really, I’ve had enough of ‘Batman… but more ruthless’.

Intriguingly, Alan and Todd were planning to liaise with Jennie-Lynn at the old JSA HQ in Gotham where she was going to meet ‘some old friends’. Maybe Infinity Inc members? I mean, apart from Kyle Rayner, who else does she know? I’d love to see more of that old gang.

Barry exploring the Multiverse is wonderfully appropriate, given he was the first person from Earth One – now Earth 0, go figure – to discover parallel worlds, in Flash #123. And, linked to that, the nameless diner girl who believes in the Multiverse dreamed of it, just as Gardner Fox did, according to Barry in the aforementioned ‘Flash of Two Worlds’ issue.

I do have a question – why the heck are DC’s shining heroes working with murderous scumbags like Luther, Talia and Savage? Sure, they have brains and experiences that might give them insights, but so do any number of good guys? These people simply can’t be trusted.

Williamson’s well-worked script is drawn in fine style by Xermanico, and it’s about time this talented guy – real name Alejandro Germánico – received a splashy showcase. I like his straightforward, but never dull, compositions a lot, and his people are appealingly on model. And if it’s he who devised Psycho Pirate’s new look, extra plaudits.

Romulo Fajardo Jr adds light and depth with his well-chosen colours, helping each locale feel appropriately different. And Tom Napolitano demonstrates yet again why he’s one of my favourite letterers, with sharp fonts and smart effects that prop up the narrative.

If you hadn’t read the Infinite Frontier #0 giant that preceded this issue, or guessed from Psycho Pirate’s new look, the villain of the piece is right there on the cover… Darkseid. Mitch Gerads’ illustration is splendid, all ready for the inevitable trade paperback.

After the somewhat exhausting Dark Metal event we were promised no more Crises. Well, this reads like a Crisis book, but I guess it’s off the hook because it’s about heroes trying to prevent crises. Whatever, it’s great, and recommended for all DC superhero fans

What did you think?

11 thoughts on “Infinite Frontier #1 review

  1. Admittedly looks and sounds very neat and I was tempted when at the store this week to buy. But I’m Crisis-ed out. The JLA/JSA used to face an annual Crisis, but that lasted, what, two to a handful of issues, tops? DC went from destroying, then ignoring, its Multiverse for years to now seemingly assuming that is all fans want to read about. I’m sounding negative and don’t mean to. But, just like when Morrison’s Crisis was billed as “Final,” Snyder’s was supposedly the last, but it seems like DC just wants to keep that train going, leaving it up to us readers to decide when to exit. You can put a new twist on it – now Darkseid has re-emerged as the big bad. Darkseid, Anti-Monitor, Superboy Prime, Parallax, the Batman Who Laughs, Perpetua. It all boils down to one powerful entity threatening all of realities, and everyone teaming up against him/her/it. It does get a little stale after a while…

    Liked by 2 people

    1. I will take and read a dozen more crisises that feature either traditional or ridiculous Foes. I’ll take Matter Eater Lad as the big bad as long as it means no more Batman Who Laughs.

      Liked by 1 person

    2. I was certainly Crisis-ed out, but then this well-written, nicely drawn story comes along… it doesn’t feel like they’re going to blow up the multiverse so much as lay out the latest rules. And if we get a rollicking good adventure along the way, all the better!

      Liked by 1 person

  2. I took a risk on this issue; avoided Death Metal like it was diet whiskey, have skipped most crises of this century. But Calvin Ellis? And Captain Carrot? And a Mary Marvel who doesn’t look like a pop music dominatrix? Sign me up.

    I liked the issue, and I like the notion of the civilian world now having to grapple with the multiverse.

    Martin — I didn’t catch that the tweets were from any Earth than whatever “our” (and Alan’s) mainline Earth is called now. How could you tell, unless the “Superman gave a speech” tweet refers to a particular Superman in a particular Death Metal issue?

    Anyway, I liked this fine. Had the right mix of character humanity and multiverse grandiosity. I will be back for no. 2.


    1. Hi, thanks so much for dropping by. As for the Earth 23 and tweets business, I now see where I’m going wrong. That’s President Superman’s Earth, and the caption for that comes at the end of the opening Smallville scene… because these things are usually introducing a scene, I took it that that was where the subsequent tweets were coming from. Duh! Time to tweak that review.


  3. This was pure cotton candy. I’m in — and I’m glad I decided to buy it digitally, so I won’t be waiting for my biweekly comic shop trip to read it!

    Liked by 2 people

  4. DC has never truly replicated the feeling I had when I read the original Crisis back in the day, but dark Crisis is still pretty good and this series was a nice precursor.

    Liked by 1 person

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