Reporter Lois Lane has witnessed the murder of a dodgy businessman. By her side is private detective Renee Montoya, whom she’d hired to keep her safe. And she did, pushing Lois out of the way of a speeding bullet. But the businessman, Mr Agger – who was linked to dirty dealings in Congress – is dead, leaving Lois with an important question, one she discusses with her husband as soon as they’re alone.
Montoya, meanwhile, is back at Lois’ hotel, where she’s confronted by a familiar-looking fellow.
The Kent discussion turns to current gossip about Lois, aka Mrs Clark Kent, who was recently photographed kissing Superman.
Back at her hotel suite, Lois has a big surprise…
… and it’s a great page, but I won’t spoil a moment that’s works so well in the context of the story.
This is my favourite issue yet of the maxi-series by writer Greg Rucka and artist Mike Perkins. There’s plenty of the strong-minded Lois I like, sure she can survive without the help of her Kryptonian hubby. The US political storyline is on the backburner, while the Russian business of the first two issues is pretty much absent; that’s fine by me, international street level intrigue tends to bore me, especially when its apparently a backdoor pilot for a new series starring Montoya, one of Rucka’s favourite characters. Give Montoya and the original Question their own book, this is meant to be a Lois Lane serial. It’s not that I hate the Questions, but picking up on their relationship from the long-ago 52 series here and now is just weird. Do I remember why she called him ‘Charlie’? I do not.
I like that the affair nonsense looks like it’s going to be dealt with, I hate that Clark Kent looks like he’s being cuckolded – I’d just make up a Silver Age lie and sell it to the public, but Rucka will likely come up with something more creative. Heck, this issue even has the word ‘Truth’ spotlighted on Perkins’ terrific cover, so it’s possible the Kents will go public with their secrets… I do hope not, because their friends would end up ever so slightly killed.
I don’t know if it’s in the script, or if it’s Perkins being creative, but I love that Lois is apparently having a wee dance on the roof after Superman has lifted her mood with a night flight across Metropolis. And doesn’t that look gorgeous, courtesy of Perkins and colourist Paul Mounts.
Simon Bowland also does a good job, providing beautifully clear, unobtrusive lettering.
My only complaint is that it’s 2019, nearly two decades after the trend for decompression kicked off, and Rucka is giving us this.
The next page is almost as empty of content. ‘The original Question follows the current Question into a hotel basement’ could be done in three panels. Seriously, if you’re not going to embellish pages of people getting from A to B with Seventies-style descriptions of mood and character, cut it out. These comics aren’t cheap. I remember, on the old DC message boards when Rucka was writing Wonder Woman in the early 2000s, moaning about Diana spending a page walking across a lobby or somesuch and here it is again. Maybe he simply finds crossing a room tense in itself…
Similarly, we get two full pages of Lois and Renee on the street with Lois telling an off-panel, eavesdropping Superman to just show himself, already. Two panels is what that needs.
While I don’t think they belong in a Lois book, the action pages that follow Vic Sage’s reception area adventure are undeniably effective, with Rucka, Perkins and Mounts combining talents to give us a nifty fight scene.
Overall, I’d recommend this issue. There’s great Superman and Lois stuff. Nice Montoya work if that’s your bag. And an ending that connects to the home Superman books and promises a conversation that needs to be in Lois’s own series.
‘Lois own series.’ It’s nice to be able to write that again. A Lois Lane series. Can we keep it, please DC?