Captain Marvel #1 review

I have to hand it to Marvel, they really are committed to Carol Danvers, ‘promoting’ her from Ms to Captain Marvel, giving her a new series, crossing it over with an Avengers book in a bid to increase sales and, when that doesn’t work, relaunching it again.

So here we have the second Captain Marvel debut issue written by Kelly Sue DeConnick in a couple of years. Custom has it that when one book fails to make it big, the next relaunch brings a fresh voice. But so far as fresh voices for Carol go, DeConnick has no peer; she’s made the new Captain Marvel a believable human being – superhero, yes, but also friend, lover, student, mentor, cat owner and more. She cares, and she’s cared for. For the first time since the Seventies, I feel I know who Carol is, and I’m in no hurry to see Marvel risk such a finely honed character losing her edge.

In the book itself, her edge is exactly what Carol feels she’s lost. She hopes to regain it by taking up Iron Man’s suggestion that she be outer space’s first Avenger-in-Residence, serving with the Guardians of the Galaxy and sending back intelligence during a year-long assignment. Having recently lost touch with who she is due to the machinations of Kree enemy Yon-Rogg, she wants to find herself once more. It sounds like a cliche, but in this case it’s a literal need, and space will give her the, well, space she needs.

All of which has me a little wary, given I’m not fond of space opera. I say I’m a Marvel Universe fan, but really, it’s Marvel Earth I care about. The 21st-century GotG leave me cold, and the various space races – Kree, Skrull, the Shi’ar with their stupid apostrophe – have long failed to fascinate. 

Earth is where I’ve enjoyed Carol most, surrounded by friends, neighbours and fellow superheroes. DeConnick serves up a massively tasty dollop of Carol’s private life here as we see her flying a plane with former teacher Tracy, at Tracy’s ‘900th’ birthday party, sharing her Statue of Liberty pad with young pal Kit – aka Lt Trouble – and her mother, and enjoying a new romance with James Rhodes.

When did that happen? Possibly in some Avengers book I’m not reading – there are many. Or it may be a new thing. Whatever the case, Carol and Rhodey – onetime War Machine, now Iron Patriot – are great together and darn but I’m disappointed she’s putting them aside to hang out with a stupid space critter and his mates.

Given her massively cosmic power set, it’s possible Carol will pop back to Earth, but this is meant to be a 12-month assignment, so I’m not expecting much shore leave. Perhaps we’ll check in on Carol’s pals anyway, and see what her absence means to them.

We get a taste of Carol’s extraterrestrial mission in an opening sequence, set six weeks prior to all the fun personal stuff. The set-up is pretty standard ‘hero in alien market’ fare, but DeConnick makes it entertaining, with Carol bringing her Earth sensibilities to a tricky situation, and potentially interesting supporting players. I’ll certainly give this book a few issues, because I’m such a fan of DeConnick – and every new outing will bring Carol closer to the end of her assignment, so hurrah.

Hurrah, too, to new artist David Lopez, whose Carol is as well-defined as her personality – drawn with clean lines, she looks strong, intelligent, bright and fun. What’s more, she’s recognisably the Carol Danvers who’s been heroing around the Marvel Universe since the days of ‘Women’s Lib’. Good as Jamie McKelvie’s pseudo-Miraclewoman visual was, I’m glad to keep the superb costume he designed, while getting Carol’s ‘old face’ back.

And best of all, Joe Quesada’s ridiculous, ugly helmet plume hairdo looks to be gone for good.

Lee Loughridge is listed as colour artist, which makes sense, as he really does add a lot to the page – Lopez is great at body language but keeps the linework simple, requiring a sensitive colourist to add weight and texture. Lopez and Loughridge make a great team, with the settings and scenery worth solid compliments too. And production guru Joe Caramagna provides the lettering, which is attractive throughout.

The gorgeous cover shows what Lopez can do when he goes close-up – the expression really gets the measure of Carol, and I hope he handles all the lead-off illoes.

The one downer with this relaunch is that the ‘Higher, Further, Faster, More’ tagline is missing a word – ‘pricier’. The book is a dollar more expensive than previously. We get just 21 story pages (including a delightful origin ‘by Kit’) and, as is Marvel’s habit these days, two pages wasted on title and credits. That’s not going to help this book’s chances of survival.

I like the new logo – it has a familiar look, and I assumed it was an old Captain Marvel masthead, one used by Mar-Vell. Then it hit me: the ‘Captain’ is homaging DC’s Eighties Captain Atom logo. I tell you, if Bleeding Cool gave lollipops for Swipe File entries, I’d be straight there …

14 thoughts on “Captain Marvel #1 review

  1. Wow, I think I have an opposite reaction to you in *some* of your points. I, too, have never found much interest in Marvel Cosmic. I've tried, but nothing has really connected with me, and I think Bendis' current Guardians series is pretty boring.

    However, I think this is a great corner of the universe for Carol to jet off to and find a niche. I like Carol but I think she disappears into the background when she's around a lot of other Avengers based on Earth. Putting her out in space will give her the chance to be Marvel's Green Lantern in a way that I think will really help the book find its voice.


  2. What you say about relaunches applies equally to Tom DeFalco's various Spider-Girl series over the years, Martin. It was never a top seller, but Marvel stuck with it, relaunched it many times and never replaced the original writer. They did try to change the background of the character to the regular Marvel universe, apparently, but DeFalco resisted – I wonder if Captain Marvel's hook-up with GotG is similarly editorially-mandated in an attempt to boost sales?

    For the most part I agree with you about the cosmic Marvel titles, though I found the DnA stuff at least introduced the kind of silly ideas and goofy aliens one would expect of a space opera, it just tended to be drowned in unnecessary spin-offs by other creative teams who – while creating perfectly competent comics – really didn't get the bigger picture and struggled to recreate the DnA books' lighter, more adventurous atmosphere.


  3. This issue should have been the last issue of the previous failed ongoing. A little to whet the appetite of the reader and a farewell to characters we're invested in. It wasn't very well suited as a new number one of the latest (probably) failed ongoing. And they are determined to make it fail, by gum. Guardians of the Galaxy are name checked early on. So instead of tying Carol into a top selling book and maybe featuring her in that book like Iron Man was, Carol gets a A Motley Crew of Generic Aliens. Yeah, that'll bring in the readers. The character's tumblr lovers have proven their love doesn't include actually buying the book so more traditional means should be used. But I guess Marvel doesn't want to break the losing streak for Carol Danvers' series so why do anything to improve this one's chances of success?


  4. I do like the idea of Cazza finding her own place in the universe, but I'd rather it were a bit of the universe that's on Earth … there are so many places that have never hosted a series – India, Portugal, Wales … Carol could be a diplomat or something, while fighting unfamiliar baddies. I used to be a massive GL fan but once the series became all space, all the time, I lost interest.


  5. Hi Steve, superb point about relaunching with this issue ending the precious series. I don't understand the Carol Corps thing at all, is it that a new costume caught on, meaning female cosplayers could look great without being overly sexualised? That's definitely a good thing, but yeah, the translation into sales isn't there. Maybe Marvel should start merchandising the heck out of the image on kids PJs and so forth, start training kids to be Captain Marvel fans.


  6. I thought it was a decent first issue too. I have never been big into “cosmic Marvel” but I'm willing to give it a chance for Carol. I liked the Rhodey thing too and think it must be new or a blink and I missed it moment in an Avengers title lol


  7. Rhodey and Carol are one of those couples that makes perfect sense… both excellent pilots, talented spies, soldiers at heart, living up to the legacies of heroes who had gone before. They have more in common with each other than literally anyone else they've ever been connected to.


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