Superman: The Last Family of Krypton #1 review

What if …. Jor-El and Lara escaped Krypton alongside their baby son? That’s the premise of this three-issue miniseries, which isn’t so much an Elseworlds as an Els’ World. Settling on Earth, the senior Els sculpt roles for themselves as scientist and religious leader, while young Kal-El is farmed off – literally – to experience an Earth childhood

Jonathan and Martha justify Lara’s faith in them, giving Clark the warm upbringing not available at Jor-El’s Metropolis sky palace, but I’m disappointed in Lara Lor-Van. As a person whose religion centres on unlocking individual potential, surely she’d try and answer her son’s needs herself?

Other strands of the story include the Els’ pet artificial intelligence, an expert in shrinking cities who answers to B (that doesn’t bode well); and the changing relationship of Jor and Lara. By issue’s end this last is resolved, after one of the hottest scenes in comics for awhile.

Is it too early to nominate this book for some kind of award? The story by Cary Bates shows the confidence of a man who spent a couple of decades in Superman’s world. And yet, having been away from comics for almost as long, his script has the freshness of a talented newcomer’s.

And the illustrations of Renato Arlem are simply beautiful. Jor-El and Lara have never looked so gorgeous, they’re fashionistas from another planet, while the Kents have the requisite down-to-earth strength (and boring dungarees). Battle scenes, cosmic moments, Metropolis cityscapes, Smallville studies – they’re all just perfect. And young Clark, Lana and Lex have personality etched into every expression

Bringing the extra touch that transforms great comic art into something to treasure is colour artist Allen Passalaqua. Every page is superbly finished in hues that never clash – never mind the hypnotic brilliance of outer space, I could stare for ages at the trees on the Kent farm, or the decor of the Kents’ spare bedroom.